As I explained in the last blog entry, Keller entertains the real questions Christians ask when they are told that biological evolution is compatible with the Bible. The first “layperson” question considered by Keller is, “If God used evolution to create, then we can’t take Genesis 1 literally, and if we can’t do that, why take any other part of the Bible literally?” Keller’s short answer is, “The way to respect the authority of the Biblical writers is to take them as they want to be taken. Sometimes they want to be taken literally, sometimes they don’t. We must listen to them, not impose our thinking or agenda on them.”
At first glance this is a solid answer—the Bible has authority! But I’ll have more to say about that below.
Genre and intent
Keller expands upon his answer first by delving into the genre of Genesis 1 because “the way to discern how an author wants to be read is to distinguish what genre the writer is using” (3). “How an author wants to be read” is a bit ambiguous, but I’ll take it to refer to authorial intent (Keller’s point is going to be whether or not the author wants us to read Genesis 1 literally and chronologically). The link he proposes between genre and authorial intent, however, is not straightforward. Consider this example: If I use poetry to communicate to my wife how much I love her, my intentions are just the same as if I had written it out prosaically. Even if I used a syllogism, “All my life I have loved you; today is a day of my life; therefore I love you today,” my intentions would still be the same (though she’d call it a silly-gism). It’s true that in poetry I’m more likely to use figures of speech but those as such don’t remove historicity from the poetry. See Psalm 78 for a good example of poetry replete with historical truth.
Genre of Genesis 1
Keller next asks what genre Genesis 1 is and starts his answer with the conservative Presbyterian theologian Edward J. Young (1907–1968) who, he says, “admits that Genesis 1 is written in ‘exalted, semi-poetical language.’” Keller correctly notes the absence of the telltale signs of Hebrew poetry. Yet he also points out the refrains in Genesis 1 such as, “and God saw that it was good,” “God said,” “let there be,” and “and it was so,” and then adds, “Obviously, this is not the way someone writes in response to a simple request to tell what happened” (4). He completes this part of the arguments with a quotation from John Collins that the genre of Genesis 1 is “what we may call exalted prose narrative . . . by calling it exalted, we are recognizing that we must not impose a ‘literalistic’ hermeneutic on the text” (4). Thus this argument is now complete: the genre of Genesis 1 prohibits us from reading it literally.
Misleading appeal to E. J. Young
However, if we follow the trail via Keller’s footnote to E. J. Young’s, Studies in Genesis One, we discover that Keller sidestepped Young’s real point. Here’s the fuller quote, “Genesis one is written in exalted, semi-poetical language; nevertheless, it is not poetry” (italics added). Young continued by pointing out what elements of Hebrew poetry are lacking and by urging the reader to compare Job 38:8–11 and Psalm 104:5–9 to Genesis 1 in order to see the obvious differences between a poetic and non-poetic account of the creation. Prior to this paragraph Young had written,
Genesis one is a document sui generis [entirely of its own kind]; its like or equal is not to be found anywhere in the literature of antiquity. And the reason for this is obvious. Genesis one is divine revelation to man concerning the creation of heaven and earth. It does not contain the cosmology of the Hebrews or of Moses. Whatever that cosmology may have been, we do not know . . . Israel, however, was favoured of God in that he gave to her a revelation concerning the creation of heaven and earth, and Genesis one is that revelation (82).
In note 80 of the same page Young elaborates further,
For this reason we cannot properly speak of the literary genre of Genesis one. It is not a cosmogony, as though it were simply one among many. In the nature of the case a true cosmogony must be a divine revelation. The so-called cosmogonies of the various peoples of antiquity are in reality deformations of the originally revealed truth of creation. There is only one genuine cosmogony, namely, Genesis one, and this account alone gives reliable information as to the origin of the earth (82n80).
With these words of Young guiding our hearts, we turn back to Keller’s statement that it is “obvious” that someone would not compose an account in the exalted style of Genesis 1 “in response to a simple request to tell what happened.” But what if the things therein described happened exactly in that exalted way? Of course we are reading “exalted prose”—precisely because the things described are so wonderful! The literary style not only fits but even reflects the miraculous events. God is glorified repeatedly, all the more because it is literally true.
An old canard: Genesis 1 versus Genesis 2
Keller’s second reason—and strongest, he says—why he thinks the author of Genesis 1 didn’t want to be taken literally is based on “a comparison of the order of creative acts in Genesis 1 and Genesis 2” (4). This argument is a bit more complicated and deserves closer scrutiny than I will give it here. But the basic point is that Genesis 2:5 apparently speaks about God not putting any vegetation on the earth before there was an atmosphere or rain or a man to till the ground. This, says Keller, is the natural order. Genesis 1 is the unnatural order, so it’s not literal. His argument is an old canard, but really it is a lame duck.
Let’s examine it: Keller says that Genesis 1 has an unnatural order because light (day 1) came before light sources (day 4) and vegetation (day 3) came before an atmosphere and rain (day 4). However, he reads the text too quickly here, for the separation of waters above and below occurs on day 2, allowing rain before vegetation. On day 4 God set the light sources in the firmament that was already there on day 2. Further, the old light vs light bearers problem is far from sufficient to jettison the chronological order of the creation events in Genesis 1. And, finally, a normal day without light or water wouldn’t kill these plants anyway.
To continue: the order of events in Genesis 2, especially verse 5, is not in the least contrary to Genesis 1. Rather, whereas Genesis 1:1–2:3 refers only to “God” and focuses on the awesome Creator preparing and adorning the earth for man, Genesis 2:4–25 focus on this God as “Yahweh” who lovingly and tenderly creates the man and the woman, prepares a beautiful garden for them, and who thereupon enters into a loving relationship with them. Each chapter makes its own contribution to the story, with chapter 2 doubling back in order to more fully explain the events of the sixth day. This is a common occurrence in Hebrew prose. Further, we can easily fit 2:4–25 chronologically in between 1:26, “Let us make man in our image” and 1:27, “So God created man in his image . . . male [Adam] and female [Eve] he created them.”
Finally, Genesis 2:4 begins the first “toledoth” or “generations of” statement, which after this becomes a structural divider in Genesis, occurring nine more times. Young argues that we should translate “toledoth” as “those things which are begotten” (59). If we follow this suggestion, we see that Genesis 2:4ff tell us about the things begotten of the heavens and the earth, such as the man, who is both earthly (his body) and heavenly (his spirit), or the garden, which is earthly, yet planted by God. When Genesis 2:5 states that “no shrub of the field” had yet grown and “no plant of the field” had yet sprouted, it portrays a barrenness which sets the stage for the fruitful garden (2:8–14) and the fruitful wife (2:18–25). Further, the “shrubs” and “plants” of the field likely point to cultivated plants that require human tending. Adam will be a farmer. If so, the point of 2:5 is not the lack of vegetation altogether, but the lack of certain man-tended kinds, such as those Yahweh God would plant in the Garden of Eden.
Therefore, we ought to conclude the very opposite of Keller. Whereas he argues that we cannot read both chapter 1 and chapter 2 as “straightforward accounts of historical events” and that chapter 2 rather than chapter 1 provides the “natural order” (5), we most certainly can read both as historical and literal.
Keller pulls together both the genre and the chronology arguments and concludes,
So what does this mean? It means Genesis 1 does not teach us that God made the world in six twenty-four hour days. Of course, it doesn’t teach evolution either . . . However, it does not preclude the possibility of the earth being extremely old (5).
However, both of Keller’s grounds for not taking Genesis 1 literally have been exposed as weak at best.[1] In contrast, E. J. Young’s strong arguments for the literal, historical reading of Genesis 1, a few of which we reviewed here, remain firmly in place. Exalted prose indeed, and true!
Whose authority?
Finally, a word about the authority of the text: Keller states that we must “respect the authority of the Biblical writers.” His wording is similar to John Walton’s in his speeches at a conference I attended in September 2015.[2] Walton frequently spoke of “the authority of the text” and stated that it rested in the original meaning “as understood by the people who first received it.” But missing from both Keller and Walton is the recognition that all Scripture is breathed by God (2 Tim 3:16) and that therefore the primary author is the Holy Spirit (2 Pet 1:21). We are not called just to respect the authority of human writers or of the text, but of God himself! There are passages of Scripture for which the first intention of the human writer—as far as we can discern it—does not reach as far as the divine intention (for example, certain Messianic Psalms such as 2 & 110, or the injunction about the ox not wearing a muzzle as it treads out the grain (Deut 25:4; cf. 1 Cor 9:9; 1 Tim 5:18). In fact, Peter tells us that the Old Testament prophets searched with great care to find out the time and circumstances of the things they prophesied about Christ—implying that the prophecies went beyond the knowledge of the prophets themselves. He adds that these are things into which even angels long to look (1 Pet 1:10–12). Thus, it’s clear that the primary author of Scripture is the Holy Spirit and that the authority of the text resides in his intentions first of all. This is why one of the primary rules of interpretation is to compare Scripture with Scripture. This book alone is God’s Word!
Let us take great care in handling the Word of God, greater care than Keller does on this point. And let us conclude that the text of Genesis 1 itself clearly indicates it is to be read literally, historically, and chronologically (Keller, at least, has not proven otherwise).
[1] In addition, Keller’s note 17 on page 14, linked to a different section of his paper, asserts that prose can use figurative speech and poetry can use literal speech. It appears, then, that he undercuts his own argument.
[2] See my blog entry at https://creationwithoutcompromise.com/2016/02/03/the-lost-world/.
Documentary
Creation Without Compromise 